10th May- 12th November 2018
Throughout his practice, Chris Alton dredges up moments and ideas from the past, attempting to rethink them for and apply them to the contemporary world. Crudely Plucking the Strings reimagines the story of the 1607 flood of the Bristol Channel, which some hypothesise to have been caused by a tsunami. 2,000 or more people drowned, houses and villages were swept away. The local economy along the coasts of the Bristol Channel and Severn Estuary was wrecked by the destruction of 200 square miles of farmland it’s livestock. It is believed that Cardiff was the most badly effected town. A woodcut print is one of the only surviving visual representations of the disastrous event.
For Spit & Sawdust’s first Billboard Commission, Alton has created a speculative reworking of this woodcut, re-telling the 1607 flood with a new cast. St. Mary’s Church, the image’s original focal point, has been replaced by Hinkley Point C; the yet to be completed nuclear power station that sits on the southern bank of the channel. When it is finally completed, Hinkley Point C will be the most expensive power station in the world. It will perch on the edge of a precipice, vulnerable to the increasingly prevalent instances of extreme weather that are being experienced globally.
By mimicking the style of the original woodcut print, Crudely Plucking the Strings prefigures that which is yet to pass, training a sceptical eye on nuclear power as an answer to climate change. In many ways, this science fiction inspired image operates as an ‘early warning system’ and a call to action.
10 May – 12 Nov 2018
Launch: 6 – 9pm, 10 May
Open: Tues-Fri 5-10pm, Sat/Sun 10am-7pm, 11 May – 12 Nov
Spit & Sawdust, Cardiff