Artist Development

We need to talk

We need to talk
14th December 2017

We Need To Talk is a series of peer to peer crits organised by graduate resident Kate Fahey at Lewisham Art House. Through the presentation of works in various stages of production and development, We Need to Talk aims to facilitate constructive feedback and a forum for the discussion of critical issues relating to art, design, culture and politics. The crit runs without any introduction to the work, followed by an opportunity for the artist to speak about their practice and ideas. This facilitates the opportunity to engage with how the work is read primarily, aiming to create a diverse, open and constructive discursive environment.

The first of these sessions will run on Thursday the 14th of December from 7.30 – 10pm. The artists presenting are Chris Alton, Saelia Apraicio, Hadas Auerbach, Philipp Dorl, Kate Fahey and Yonatan Zofy. All are welcome to attend. Festive drinks and snacks provided.

Chris Alton is an artist and curator, whose practice spans; documentary film, music videos, online interventions, clothing, disruptive design, live events and exhibitions. Whether deploying disco music in opposition to fascism or playing table tennis in competition with aggressive architecture, his work addresses an array of interwoven socio-political phenomena. His practice is research led and often interrogates symbolic manifestations of power, such as; coats of arms, Latin mottos, corporate identities, mythological weaponry and national flags. He works to destabilise or subvert their logic, revealing and undermining their shaky foundations through humour and play.

Saelia Aparicio lives on a secret island in London. She graduated in Sculpture at the Royal College of Art in 2015. She has had solo shows at La Conservera (2012, Murcia, Spain) the Patio Herreriano Museum (2013, Valladolid, Spain),Da2 2002 Domus Artium (2015, Salamanca, Spain), TURF projects (Croydon, UK) and The Tetley (Leeds,UK). Group shows include Bloomberg New Contemporaries 2016, the bluecoat ( Liverpool) and the ICA (London), Retour Sur Mulholland Drive, curated by Nicolas Bourriaud at La Panacée, Montpellier, France, And A Mysterical Day, curated by Tai Shani and the Serpentine Gallery public program. In 2016 she was a resident at Sema Nanji, (Part of the Seoul Museum of Art, South Korea) and is currently enjoying a New Contemporaries studio Bursary with Sarabande, The Lee Alexander Mcqueen Foundation. She is working towards show where all the works will be collaborations with the product designer Attua Aparicio. Her multidisciplinary work dwells on ideas of the organic, establishing analogies between corporeal and social mechanisms.

Hadas “BhadasS” Auerbach was born 20 minutes from Jesus, in Israel. She is currently living and working in London. Her favorite animals are honey badgers, tortoises, and armadillos; her least favorite are dolphins, swans, and baboons. Her favorite people are identical twins, as they are the same person twice. Her research proved that twins have super powers since they can be in two places simultaneously and they can teach each other fast as they have same exact genes but two different bodies; therefore they have double the database compared to regular people. Her favorite colour is yellow. Her work evolves around how charming and stupid people are, she is telling us stories; most of them are stupid charming ones, like the ones from the Bible. These stories are non-narrative & non-linear. The characters exist in an imaginary theatre and there aren’t really any actors & actresses. There isn’t even a play.

Philipp Dorl lives and works in London. He graduated from the Royal College of Art in 2013 where he studied with a DAAD studentship. His work has been presented in exhibitions at institutions such as the Museum Kulturspeicher Würzburg (GER), The Photographers Gallery in London and the Fotomuseum Winterthur (CH), where his work is part of the museum’s collection. He recently have had shows in project spaces in London and Berlin such as; Dreamcatcher, Zona Mista, London, Snæfells (two-person), Filet, London (2016), Taupe (solo), Art Lacuna Space, London (2015), Slit Backdrop (solo), Pavlovs Dog, Berlin (2014), DashDotDash (two-person), Projects, London Art Fair (2013).

Kate Fahey is an artist based in southeast London. Recent projects include, Secret Stations, a solo exhibition at Callan Workhouse Union (2017), Inarticulate Landscapes at Unit 1, London (2017), and the Bloomberg New Contemporaries, ICA, London (2016). She is an AHRC funded practice based PhD candidate at the University of the Arts, London and a recent recipient of the Mead Residency Award to the British School at Rome.

Yonatan Zofy, is an Israeli artist living in London. He received a BFA degree with an Excellence award from the Bezalel academy of art and design, Jerusalem. He has exhibited in different galleries in Israel, among them: Barbur Gallery, Jerusalem, The Artists’ House, Jerusalem, Julie M. Gallery, Tel-Aviv, Hamidrasha Gallery, Tel-Aviv, Artspace Gallery, Tel-Aviv. In 2016 he exhibited in the 6th Jerusalem Drawing Biennale, and in 2017 he received the Osnat Mozes Prize for a Young Artist.

Modern ritual

Modern ritual

2nd December 2017

Daylight Music 267: Laura Cannell presents – [Modern Ritual] The Bell Agency (Charles Hayward), Laura Cannell & André Bosman, These Feathers Have Plumes + Jennifer Lucy Allan

In 2017, Laura Cannell created the [Modern Ritual] series, which is currently on tour throughout the UK. It’s a series of performance events which explore ideas of ritual through music and words, and evokes real and fictional landscapes.

This performance at Union Chapel features Laura Cannell and André Bosman’s experimental early violin duo, as well as Charles Hayward’s The Bell Agency. There’s also Jennifer Lucy Allan’s performance of ‘Foulis’s Daughter: A short history of the foghorn in 30 interrupted acts’, and glass and electronics from These Feathers Have Plumes. A lazy afternoon with music, tea and cake. An event for all ages. Produced by Arctic Circle. Pay-What-You-Can ticket on door (suggested donation £5.00). Midday – till 2.00pm

Saturday 2nd December 2017
12.00pm-2.00pm

Union Chapel
Compton Terrace, N1 2UN., N1 2UN London.

The launch of the Adam Speaks treehouse

The Adam tree house
25th November 2017
In April 2017, Chris Alton received the Adam Speaks commission from the National Trust to develop and make new work responding to Robert Adam’s vision and designs at Croome Court. He ran workshops with St. Barnabas CofE First and Middle School, Writing West Midlands, Birmingham Institute of Theatre Arts and Kimichi Independent Secondary School. These workshops informed the final artwork.

Chris has created a new folly for the parklands of Croome Court. It takes the visual language of Adam and speaks it anew with playful intonation, riffing on the neo-classical architect’s style and applying it to the form of a treehouse. The work will be opened on 25th November 2017 and will remain at Croome Court until November 2018. It will be the site of an ongoing programme of workshops and events

25th November 2017
12:00-16:00
Croome Court, Worcester, WR8 9AZ

www.chrisalton.com
https://www.nationaltrust.org.uk/croome/projects/adam-speaks

Noisy night

Noisy night
25th November 2017
Members Kerri Jefferis and Sophie Chapman are playing with their band Molejoy.

Emerging artist musicians will share their sounds on this cosy noisynight at Laines Organic Farm… Once again The Round Building, (known locally as ‘The Pumpkin Palace’) will host an evening of fun, food, fire and friends. Suggested donation entrance £2-£8/pay what you can.

Vegan food and drinks will be made using farm produce and sourced from a local brewery served from 5pm on a suggested donation basis.

25th November 2017
5pm-11pm

Music will begin at 6pm and run until 11pm.
F*CHOIR
MOLEJOY
CHARISMATIC MEGAFAUNA
AK PATTERSON
POPPY TIBBETS
DJANGO SPEARS O-M-B
LIAM GEARY BAULCH
JOE SAYERS

Last few trains back to London depart from Haywards Heath at 23.26/23.30/23.58.

Laines Organic Farm, Newbury Lane, Cuckfield, West Sussex, RH175AA.

Trains from Victoria/Clapham/Brighton to HAYWARDS HEATH > 30mins walking to Cuckfield Village > bus no.40 to Cuckfield High Street > roadrunners taxi 01444443300 is £5.50

Once you’ve reached Newbury Lane look and listen out for signs/lights/vegetables/The Round Building! Welcome!!

Facebook page for the event
Kerri Jefferis
Sophie Chapman


Get to know…Kate Fahey

September 2017

Secret Stations (install image1) Photo Credit_Brian Cregan

Meet Kate Fahey the winner of our 2017 Graduate Studio Award!

Member Since June 2017

Website: www.katefahey.co.uk

An introduction – please write a few sentences to introduce your work to the public.

At the core of my practice lies a concern for the surface and skin of the image through which I attempt to channel affect and a more embodied type of visuality, positing the surface as a site of mediation, transfer and transformation. Through the haptic nature of the work, I examine humans’ relationship with the digital and seek to connect with and to slow down our experience of images, calling on lost lore and old forms of knowledge to negotiate technology and scientific advancement.

Are you a self-taught artist or have you been to art school? Has this helped shape the artist you have become?

I studied fine art printmaking at undergraduate (Gray’s School of Art, Aberdeen) and masters (Royal College of Art) and both had a profound impact on my practice.

Which exhibition have you visited which made the greatest impact on you and why?

Its impossible to choose one as so many types of work and practices have an effect on the way I think about my work. I’m a big fan of craftsmanship, antiques, clocks, and the old masters so probably the collections at Kenwood House on Hampstead Heath and the Calouste Gulbenkian Museum in Lisbon.

Who and/or what inspired you to become and artist?

I wasn’t exposed to much art in my childhood and went on to study a bachelors in science at university. In my early 20’s I was particularly inspired by an artist from my home town called Tony O’Malley. He had a previous career in banking and went on to become an internationally renowned painter later in life. I went to his retrospective at IMMA in 2005, and a couple of years later I went on to study fine art in Scotland.

Discuss a recent project, exhibition or event you have been involved in.

Secret Stations is a recent body of work developed in collaboration with two crafts people; a diviner and a wood turner, on a residency at Callan Workhouse Guild in August 2016. Guided by Richard Sennett’s suggestion in The Craftsman that touch delivers invasive, ‘unbounded data’, the research related more obliquely to embodied forms of sight and knowledge, in particular haptic vision. The project culminated in Secret Stations, a solo exhibition with Callan Workhouse Union and Trasna Productions and a Divining Walk in the town in July 2017.

Do you see collaborative practice and working with others as an important part of your practice?

Recently I collaborated with a dark matter scientist, a water diviner and a wood turner, all of which were fantastic opportunities. I have also previously collaborated with other artists in projects but find it just as exciting to work with people outside / on the peripheries of the art world. Collaboration is not essential to my practice but I have found it to be rich terrain in the past.

How do you use the studio and what you do in here? Do you have studio rituals?
I use the studio for everything, admin, writing, thinking, reading and making. I don’t have any rituals but I’m a messy maker so I try to tidy up every so often.

How does the studio become a part of your everyday life and work?

The studio has become so essential to my practice and life that it is a space I need to be in. Everything and nothing happens in the studio and most of my week revolves around my time there.

What do you get from working in a studio community? How has it impacted your work, if at all?

When I graduated from my MA, I couldn’t afford a studio and I told myself that I didn’t need one. However, having a studio has made me more ambitious and motivated. Having space to think and make, changes how you process your work and the outcomes. Being in a studio environment has exposed me to many other forms of making, conversations and ways of thinking about a practice. Having other artists around with critical distance from my work can be very useful!


What are you working on at the moment? Do you have any forthcoming exhibitions to promote?

I am working towards a four person group show entitled ‘All the Elsewheres of the World’ at Zona Mista project space (http://www.zonamista.co.uk/) which also houses many artists studios. We were particularly drawn to Foucault’s text ‘Utopian Bodies’ and we will use the space not as a white cube but as a body, exploring all the passages, storage and transient spaces. We intend to work together to install the show as something living, with some pieces dependent on others for their realization. The installation will play with ideas of perception, deception, and proximity and will ideally yield many unpredictable and exciting outcomes. The show opens on the 23rd of August.

Will you be showing work at Open Studios in October? If so, what can the public expect to see?

Yes, my studio will be open and people will be able to view some recent works from my Phd research and recent shows.

Kerri Jefferis and Sophie Chapman: Group Show Podcast Series

Listen Now!
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Group Show is a five episode podcast series by artist and curator Caitlin Merrett King featuring Arthouse members Sophie Chapman and Kerri Jefferis, amongst a number of others. It covers topics like work, collaboration, education and criticism through a mixture of interviews, sound commissions and regular features covering artist-led activity around the UK.

The first episode was released 30 July and subsequent releases will continue through August and September. Group Show is an attempt to draw links horizontally between people and organisations to promote all the fab work everyone’s doing. An audio interpretation of the busy, messy, exciting squishing together that happens in group shows.

The podcast was conceived of as part of 12ø’s S/S17 curatorial residency and is sponsored by Cuvva, and supported using public funding by Arts Council England.

Alison Day: Reflection and Meditation

1 August – 31 August 2017

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Alison Day is a Fine Art Photographer and Botanical Artist. The series of images seen in this exhibition are selected from photographs taken along the Northumberland Coast several summers ago.
They are abstract landscapes that come about as a result of meditations and wandering along the shoreline. Originally grouped under the title ‘Surface Reflection’ which was intended as a double word play, relating to that which is on the surface and below. The notion of reality being objective and subjective thus can be seen at many levels. The images allow both a reflection in ones own image, which appears in some shape during the gaze. They also prompt a deeper dredging of memory and consideration of other images. The meditation comes through the act of allowing thoughts to emerge take shape and change state. Ultimately disappearing like clouds that break up in the wind. They are therefore to you the viewer that of your own creation acted out on a fluid arena.

The Duke, 125 Creek Road, SE8 3BU
Venue Opening Times: Mon – Thur Noon till 12 am
Saturday Noon – 2 am Sunday 11pm 12
1 August – 31st August 2017

New Graduate Award Resident: Kate Fahey

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May 2017

Lewisham Arthouse is delighted to welcome our new Graduate Resident, Kate Fahey, who joins us from 1st June 2017 – 31st January 2018. Kate Fahey is an artist working with print and installation. She received a BA in Fine Art Printmaking from Gray’s School of Art, Aberdeen and an MA in Fine Art Printmaking at the Royal College of Art, London.

‘With machine vision, technological acceleration and the increasing pace of life, time seems to flow ever faster, making our relationships to images and the land fluid and problematic. At the core of my practice lies a concern for the surface and skin of the image through which I attempt to channel affect and a more embodied type of visuality, positing the surface as a site of mediation, transfer and transformation. Through the haptic nature of the work, I examine humans’ relationship with the digital and seek to connect with and to slow down our experience of images, calling on lost lore and old forms of knowledge to negotiate technology and scientific advancement.’

Her upcoming exhibitions include, Secret Stations, (solo) at Callan Workhouse Union, Kilkenny, Ireland. Recent projects include Going Dark, Guest Projects, London (2017), The Bloomberg New Contemporaries, ICA London (2016/17), The Jerwood Drawing Prize, Jerwood Space, London (2016/17), The Artist Traveller, Royal Scottish Academy, Edinburgh (2017), Reference Mollusk, Gossamer Fog, London (2016), PR!NT, Impressions & Expressions, Editions & Seditions, La Cambre Gallery 425, Brussels (2015), Resonance And Recapitulation: Echo Of a Renaissance, Collaboration with composer Enda Bates, Ormston House Gallery, Limerick (2015) and Spring Exhibition, Kunsthal Charlottenborg, Copenhagen (2015). She has received numerous awards including the Stanley Picker Tutorship in Fine Art Printmaking (2015/16), the Augustus Martin Print Prize (2015), the Tim Mara Trust Award (2015), the Royal Scottish Academy Residencies for Scotland Award (2015) and the Irish Arts Council Travel and Training Award (2013). She is an AHRC TECHNE funded practice based PhD candidate at University of the Arts, London.

We look forward to working with this exciting artist.

Less Navels, March! March!

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March 2017

Sophie Chapman and Kerri Jefferis have been invited to be The White Pube’s artists in residence for the month of March. During this time they will use TWP’s web platform as host, interface and instigator to test out, document and start conversations through a series of public interventions.

On a defined website page, the actions will appear sporadically alongside fragments, residue and reflections. Acts that ask for input, are transitory or locational will be announced prior to their undertaking. These notices will be posted on TWP’s twitter and consequently, engage both online and offline publics, participants, audiences, observers and individuals in their enactment.

The works will take a range of forms considering the physical, the sonic and the poetic in relation to affect, contagion, situations and embodiment. Some engage with aspects of homage, drawing clear desire lines to the past considering the pace and nature of social time; others, introspection, networks, difference and commonality. Each act in dialogue with the others will appear in a different form or context; as counter-information, confrontation, prompt, proposition or pretext.

Kerri and Sophie will take an experimental approach to the month, seeing it as ‘a play in many acts’ and ‘small gestures in specific places’ because, ‘the skin is faster than the word.’

Acts will be announced on The White Pube’s twitter.
March residency page here.

The White Pube is an art criticism website and research project ran by artists Gabrielle de la Puente and Zarina Muhammad. They publish a new text each week – often exhibition reviews, though sometimes baby essays. In August (2016) TWP curated Zayn Malik Zindabad, an evening of artists moving image at Lewisham Arthouse which recently toured to the ICA, London.

Graduate Studio Award 08

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May – June 2017

Lewisham Art House is an artist cooperative of over 20 years. Based in a Grade II listed building, the organisation provides access to artist studios, workshops, exhibitions and learning. We strive to build upon our organisation’s proud history of supporting artists, their audiences and wider communities, fostering diversity and an ongoing commitment to capacity building.

Continuing our commitment to support emerging talent, we announce the 8th round of our Graduate Studio Award Scheme.

We are inviting recent London-based fine or applied arts graduates to apply. The award offers a free 200 sq ft studio for 8 months (commencing May/June 2017), culminating with a project/exhibition in our Project Space. The successful applicant is encouraged to participate in our lively artistic community.

Applicants should be London based MA or BA level, applying within two years of graduation. Please do not apply if you are currently studying or graduating in June/September 2017.

Deadline Friday 28th April 2017
Interviews 11th May 2017

Please see the attached forms and submit as outlined. Good luck!

Graduate Studio application outline

Equal Opportunity Form 2017

Robert Hitzeman: StoneLicker Dessins

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25th January – 16th February 2017

Le Hic Brussels is pleased to present a new series of drawings by Robert Hitzeman from his StoneLickers series as well as his sculpture Sweet Dredge exhibited installed throughout the space. Le Hic will also host the publication Floor and Ceiling: 3rd Edition a Photo-zine dedicated to Robert’s Floor and Ceiling photographs and designed by Michal Kozlowski. Robert Hizeman’s work uses visual languages to subtly disrupt readings of interior and exterior in the body and the built environment, as well as examining the relationships between ideology and the physical conditions of space. The idea of the subtle abjection; a way of transgressing the viewer quietly, is a central theme to his work. He is interested in how a transgressive force can appear seductive benign or comical but still disturbing on another level: subverting traditional separations between attraction and repulsion. “Stonelickers” are a series that include several works relating to parasitic relationships, feeding or mating and their potential as a model for artistic production and cultural exchange. The drawings for this permutation of the series are based on images of the mouth and teeth of several species of Lamprey, a parasitic fish and several models of angle grinder bits used in stone and metal work. Lamprey comes from the latin lampetra, which translates roughly as “stone licker” (lambere “to lick” + petra “stone”). In sculpture, Robert’s work is made from assembling building materials gathered from a particular area; creating a link from that area’s history to a totemic object or artifact

that connects it to the present while questioning notions of location. “Sweet dredge” is another take on this idea, using animal remains gathered from the Thames at the site of a former meat processing plant and colorful rope. The area directly above the river now houses a rock climbing wall and gym built on the foundation of the meatpacking district. Robert is interested in linking the gym’s conception of the body as a malleable object to be conditioned or changed to the “processing” of animal remains into meat; both systems that attempt to alter the original into a state that conforms to a normative ideal.

The Exhibition will be open from 25th January until the 16th February 2017.

Get there: Le Hic Rue de Rodenbach 51, 1190 Brussels
Tram lines 3-4-51 stop Albert/Berkendaal
Bus 48 et 54 stop Albert Tram 92 stop Darwin
Opening times: Monday to Saturday 10 to 18:30

For Further information: info@lehic.be +32 465 594 216

Lewisham Arthouse presents sound is sound is sound at The Albany

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Saturday 1st October 2016
Free events 3-8pm
Evening performance 7.30pm – late, £12/£10
Lewisham Arthouse presents sound is sound is sound, Albany Theatre, Douglas Way, Deptford SE8

sound is sound is sound showcases and celebrates the curious mix of forward motion and DIY attitudes, the vanguard and the street, which has flourished in the SE postcodes, a highly motivated gathering of outsider sounds, exploiting the logics of punk, free jazz, electronica, sound art and breakbeat, melding them to suit the perverse intentions of the musicians.

sound is sound is sound follows on from the Lewisham Arthouse monthly series of sound and music, bringing together the south east London underground, music from other London and UK scenes, and internationally renowned players in a heady and engaging mix.

The evening performance will follow a full afternoon of sound installations, workshops and interventions in and around the Albany.

TOMAGA channels percussive energy to create a collision of vibrating rhythms and tones. TOMAGA actively seeks to transport the audience to zones outside the normal limits. http://tomaga.bandcamp.com/

CHARLES HAYWARD ZIGZAG+SWIRL full on drums, electronics and song, beyond breakbeat, headfirst into uncertainty, a psychedelic continuum and the startling other. https://www.youtube.com/watch?v=YCAz_BX76Tw

SCULPTURE performances are a mix of electronic music, kinetic art, comic strips, abstract animation, audiovisual cut-ups, analog and digital, tape manipulation, samples, found sounds, algorithmic programming and live improvisation. https://boilerroom.tv/recording/sculpture/
https://vimeo.com/167876880

GRAHAM DUNNING’S MECHANICAL TECHNO – Ingenious DIY experiments in sound and movement to make you dance. Turntable chicanery taken to new heights. https://www.youtube.com/watch?v=_p0CGOoN7J0

CHARLES BULLEN guitarist from This Heat and Lifetones plays a DJ set from far and wide, high and low.

JJ AKINLADE is a London-born spoken word artist, exploring the diverse range of human stories which comprise our current social climate.
https://m.youtube.com/watch?v=DA8r-5Hljdw

evening performance tickets £10 in advance/£12 on the door

INSTALLATION: The Pomegranate Circus is a collaboration between Sam Weaver and KHOM visuals, both key figures in the creative hotspot Islington Mill, Manchester. Crashing together order and chaos they take Richard Brautigan’s poetic text as a starting point for unfolding patterns of sound and light.
https://vimeo.com/99835107
The Albany Theatre Studio 5-8pm. Admission free

WORKSHOP: SoundHoppers is a workshop for children exploring making sound, instruments, active listening. Led by sound artists Wajid Yaseen and Helen Frosi this workshop is a fantastic introduction to new ideas and attitudes in sound and music sharing.
The Albany Theatre Orange Room 3-5pm. Admission free, booking required.
http://www.thealbany.org.uk/event_detail/1862/Music/sound-is-sound-is-sound


Studio Space Available

Studio B-4
Deadline Thursday 8th September, 6pm

1 x Studio B4 (permanent)- 103 sq. ft., £55.20 per month

A permanent studio has become available; a rare opportunity to become a member of Lewisham Arthouse. The studios will be available from 8th October 2016. Deadline to apply is Thursday 8th September 2016, 6pm.

Application procedure as follows:


– A statement (no more than 500 words) outlining your practice and areas of interest and an indication of how you wish to use this opportunity.

– A statement (no more than 350 words) highlighting what you could contribute and how the cooperative would work for you. For further information on how Studio Members are selected go to: www.lewishamarthouse.org.uk/making-art

– CV (no more than 2 sides of A4).

– Equal opportunities form – click to download here (word .doc).

– CD with up to ten images or for time-based work DVD (pieces or excerpts should be no longer than 5 minutes).

– Corresponding list of titles, media and dimensions should be included (please do not send originals).

– Two references.

POSTAL/ HAND DELIVERED APPLICATIONS ONLY.

Please post your applications to:

Allocations
Lewisham Arthouse
140 Lewisham Way
London SE14 6PD.

Shortlisted Applicants will be contacted for interview shortly after this date. Please note that due to the high number of applications we will not be contacting those who are not shortlisted and will be unable to offer feedback.

Deadline to apply: Thursday 8th September 2016, 6pm. 

For further information contact: studios@lewishamarthouse.org.uk


Laura X Carlé: Material World

meet the artist

23rd July – 4th September 2016

Summer Family activity for all ages
Tate Modern, Macaulay Gallery

Touch, bend, balance and play with large scale, colourful shapes and forms.

How do artists handle materials in their studio and how is this different to the way we experience the same materials in a gallery? Material World invites visitors of all ages to experience an immersive artwork and to handle, compose and play with materials together. Improvise with materials. Try touching the ceiling or two walls at the same time. Try connecting all the shapes together. Go under. Go over. Wrap a shape around you!

Material World is linked to the Materials and Objects collection display on Level 4 and devised by Laura X Carlé with Tate Families.

Drop-in for special artist-led sessions with the creator of Material World; Laura X Carlé.

Monday 8th August 2016, 2 – 5pm
Saturday 13th August 2016, 11am – 2pm
Friday 19th August 2016, 11am – 2pm

www.lauraxcarle.com
www.tate.org.uk

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Two Studio Spaces Available

Studio F15
Application Deadline 30th June 6pm

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Image: above, Studio F13 (Sublet*), below article Studio G2 (Permanent)


We have two studio’s available, one a sublet for six months and the other a permanent space; a rare opportunity to become a member of Lewisham Arthouse. Please note that the sublet will not be part of the Arthouse membership. Both studios will be available from 1st August 2016:

1 x Studio G2 (permanent), 121 sq ft- £65.50 per month
1 x Studio F13 (6 month sublet) 93sq ft – £52 per month

If you are interested in taking up either studio please follow the application procedure below.

Application procedure for each studio (please indicate which studio/s are of interest):


– A statement (no more than 500 words) outlining your practice and areas of interest and an indication of how you wish to use this opportunity.

– A statement (no more than 350 words) highlighting what you could contribute and how the cooperative would work for you. For further information on how Studio Members are selected go to: www.lewishamarthouse.org.uk/making-art

– CV (no more than 2 sides of A4).

– Equal opportunities form – click to download here (word .doc).

– CD with up to ten images or for time-based work DVD (pieces or excerpts should be no longer than 5 minutes).

– Corresponding list of titles, media and dimensions should be included (please do not send originals).

– Two references.

POSTAL/ HAND DELIVERED APPLICATIONS ONLY.

Please post your applications to:

Allocations
Lewisham Arthouse
140 Lewisham Way
London SE14 6PD.

Deadline to apply: Sunday 30th June 2016, 6pm.

Shortlisted Applicants will be contacted for interview shortly after this date.

For further information contact: studios@lewishamarthouse.org.uk

*Please note that the sublet will not be part of the Arthouse membership.

Shortlisted Applicants will be contacted for interview shortly after this date.
Please note that due to the high number of applications we will not be contacting those who are not shortlisted and will be unable to offer feedback.

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Image below: Studio G2 (Permanent)


G2 studio


Open Studios 2016

Lewisham Arthouse Open Studios 2016
4th June – 5th June 2016

Lewisham Arthouse Open Studios 2016
Part of Brockley Max Arts Festival

Explore over 30 studios, talk to the artists, buy art at affordable prices or just have a look around. There will be a children’s activity map and guided tours of selected studios will be at 2pm and 4pm each day. If you get hungry we have a café and a jerk chicken stall.

In our gallery we are very excited to present the exhibition “Two Minute Studio Visits” speed selected by Jeremy Deller. For more information click here

Come and join us!

Saturday 4th June, 12-8 pm, with DJs and a bar from 6 pm
Sunday 5th June, 12-6 pm

Free entry
Step-free access

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Image credit: Image courtesy Lewisham Arthouse, 2016

Lewisham Arthouse Graduate Award 07 Recipients: Kerri Jefferis and Sophie Chapman

Kerri Jefferis and Sophie Chapman, FUCK IT LET’S MAKE A BAND!, 2016. Image courtesy the artists
Lewisham Arthouse Graduate Award 07 Recipients: Kerri Jefferis and Sophie Chapman

Kerri Jefferis and Sophie Chapman have accepted they are on the same demolition path and recently began working collaboratively.

Their work is characterised by a need to challenge and disrupt known forms to create atmospheres of play, speculation and mutual aid. They are not interested in feeding the market but are interested in uncomfort, mess and complicated feelings. 
 
Sophie and Kerri have worked across performance, public intervention and the creation of participatory situations. Sometimes their work is situated in the experience and therefore transitory, and at other times, it manifests in publication, film or installation.
 
Right now, they are starting a band to think about the circulation of authority between listening and sounding and how particular encounters can support individual and collective risk-taking. This will have its first outing as part of the AntiUniversity Festival in June. Kerri and Sophie also work with others on various initiatives one, Aspiration Suits, Sophie co-directs with designer Philippa Taylor and another KINGDOM, an artist led expedition series Kerri organises with artist Ellie Wyatt.

Further information:
Sophie Chapman – http://cargocollective.com/sophiechapman
Kerri Jefferis – http://www.kerrijefferis.com
AntiUniversity event – http://www.antiuniversity.org/FUCK-IT-LET-S-MAKE-A-BAND
Aspiration Suits – http://www.aspirationsuits.co.uk
KINGDOM – http://discursivevisitors.tumblr.com

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Image credit: Kerri Jefferis and Sophie Chapman, FUCK IT LET’S MAKE A BAND!, 2016. Image courtesy the artists and antiuniversity.org


Curatorial Open Call 2016

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Deadline Friday 27th May 2016

Lewisham Arthouse is an artist-led cooperative formed in 1992. Based in Deptford’s Grade 2 listed former library we provide access to artist studios, workshops, exhibitions and learning. We are looking to build on our proud history of supporting artists, their audiences and the wider community by offering free use of our project space to an artist, curator or collective for a period of 4 weeks.

We are inviting proposals from an artist/curator interested in working with us beyond traditional forms of exhibition making. This might include visual art, music, talks, screenings, educational events or other kinds of creative output. The project will coincide with Deptford X art festival and the chosen curator will present their program within the wider context of the festival.

This is an opportunity to realise a concise and considered strand of programming (one off exhibitions will not be considered). The successful applicant will provide and implement an innovative program, engaging audiences and using the full potential of the space. Lewisham Arthouse will provide in-kind support with promotional, logistical and practical concerns.

Please send a CV (1 side of A4 max), an introduction to your curatorial practice/approach (300 words max) and a proposal outlining your program and its intended outcomes (1 side of A4 plus images / supporting material).

Please include one written reference and a completed copy of our equal opportunities form. To download the Equal Opportunity Form 2016 (word doc) click here

Deadline for applications: Friday 27th May 2016

Interviews: Week commencing June 6th 2016

Curatorial project: Monday 19th September – Sunday 16th October 2016

Please send your applications to:

Curatorial Open Call 2016
Lewisham Arthouse
140 Lewisham Way
London SE14 6PD

Postal applications only

* Due to the high level of entries we are unable to give feedback to applicants not shortlisted for interview. If you would like your application or supporting materials returned to you please provide a stamped addressed envelope.

Thanks and best wishes,
Lewisham Arthouse


Graduate Studio Award Scheme 2016-17

STUDIO

Deadline Monday 11th April 2016

Lewisham Arthouse is an artist-run co-operative based in an Edwardian ex-library in Deptford. We run 45 affordable studios, a busy gallery, classes, workshops, community activities and events.

As a commitment to supporting emerging talent, the Arthouse has a Graduate Scheme which is now entering it’s seventh year. We have been very fortunate to have had Chris Alton as 2015-16’s winner and you can read an interview with him here.

Applications are now welcome from BA or MA level graduates who have graduated within the last two years from 2014 and 2015. Please do not apply if you are currently studying or graduating this June.

Please see the PDF below for more information about how to enter and remember to also submit the Equal Opportunities form with your application.

The deadline is the 11th April with interviews being held on 18th April 2016. The residency begins on 22nd April 2016. Please be aware that this is a postal application only so leave enough time for us to receive it.

Good luck!

To download the Equal Opportunity Form 2016 (word doc) click here

To download information on how to apply to the Arthouse Graduate Award (pdf) click here

Image: Graduate studio 2016

Anita Gwynn: Wildflowers and L.P.s – it’s a thing

Dandelion and Root

March 2016

Anita Gwynn is exhibiting new drawings of at Vinyl, 4 Tanners Hill, London SE8 4PJ until mid-April.

Anita says “I am interested in the indigenous and wildflowers, especially in my local area and my drawings in this exhibition are examinations of some of these flowers.  If I have drawn them it is because I have been excited by their shape and beauty. Coming from surburbia and its tidy gardens, I enjoy the plants that break through the concrete and walls and grow, beautifully and subversively. They can be part of the heritage of a place and each plant has a story, a myth or a legend attached to it.  My artistic practice helps me to look outside of my own life and to see the world. It helps me to relate to it with curiosity and to understand that I am part of it and not separate from it.  Ecology and stewardship are important to me and I have come to see that we do not exist in isolation, but as part of a whole. Without plants we wouldn’t survive.”

Links below for more information on Anita’s work and Vinyl
anitagwynn.blogspot.com
https://vinyldeptford.wordpress.com/

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Image: Anita Gwynn, Dandelion and Root, 2016


Chris Alton: Under the Shade I Flourish

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March 2016

The non-uk domiciled billionaire Michael Ashcroft is a controversial figure, notable for “opaque tax practices” and “operating in the dark”. Whilst serving as a member of the House of Lords, he remained a non-dom despite promises that he would become domiciled in the UK for tax purposes.

In the mid-1960s Ashcroft briefly managed “an unknown rhythm and blues band” called Trident. Under the Shade I Flourish (2015-2016) imagines that he continued to do so. However, this is not a direct speculation upon another possible timeline. Incorporating feedback from the life Ashcroft did lead, Chris Alton engages in a cartographic process that involves the cross-pollination of both fact and fiction.

Working through simultaneous satire and celebration, Alton invokes seemingly incongruous juxtapositions, as a means of visualising the power structures in which we are all embedded – narrativising something that is too complex to be immediately comprehendible. The extrapolated band becomes a vehicle to explore the the very real exploitation of post-colonial countries as tax havens.

Alton’s recent exhibitions include; Outdancing Formations, Edith-Russ-Haus (2015), MEIL, Chisenhale Studios (2015) and each other, Wysing Arts Centre (Open Weekend) (2015). He was recently awarded; the Edith-Russ-Haus Award for Emerging Media Artists of the Sparda Bank 2015 and the Lewisham Arthouse Graduate Studio Award 2015.

Exhibition dates: 12th March – 3rd April 2016 (Saturday – Sunday, 12 – 6pm) at Xero, Kline and Coma
Preview: Friday 11th March 2016, 7– 9pm

For more information go to: www.xero-kline-coma.com

Alma Tischler Wood: Liverpool Provocations

Print
Wednesday 20th January 2016

Alma is one of a number of artists to have participated in Alan Dunn’s FOUR WORDS. Alan Dunn, artist/curator, presented FOUR WORDS The Media Wall on 20th January 2016 outside Lime Street in Liverpool as part of: Liverpool Provocations: A series of artistic interruptions
Between 3 and 4pm the adverts will stop and the giant screen will host an alternative stream of provocative, 10 second animations of just four words each.

Alan Dunn, a Liverpool Art Prize 2012 nominee, has collaborated on or appropriated existing texts from 108 individuals, from world-famous artist (Gerhard Richter) to lesser known contributors (Captain Pengelly, a retired seafarer).

Each set of FOUR WORDS will act as a counterpoint to the sales season and the invisible pressures of this time of year, with ruminations on value, money and exchange.

This was followed by an evening event at the Small Cinema where the animations were screened again.

The other contributors include Gerhard Richter, Douglas Coupland, Shaista Aziz, Pavel Büchler, Fiona Banner, Levitt & Dubner (‘Freakonomics’), David Shrigley, retired seafarer Captain Pengelly, Hala Al-Alaiwat and ex-Liverpool FC striker David Fairclough, Hala Al-Alaiwat, Sean Ashton, Clarisse Aubert, Chris Bishop, Jessie Brennan, Billy Cancel, Jayne Casey Roger, Cliffe-Thompson, Ade Blackburn, Zak Dunn, Nina Edge and Jack Ehlen.

Sheena Patel: Cologne’s Gold + Beton

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Friday 15th January – Monday 8th February 2016

Sheena Patel’s 16 minute performance film, NOW BREATHE. is being exhibited as part of a group show on female identity at Cologne’s Gold + Beton, in conjunction with Bradford’s FUSE Arts Space. Exquisite Corpse​ explores female form, self-image and stereotypes from the perspective of eleven female artists. Through video, painting, performance and illustration, the exhibition also considers the potential of contemporary technology as a tool to examine female self­ identity and evaluates the impact that it has upon constructs of ‘femininity’.

Internationally acclaimed visual and performance artist Poppy Jackson ​explores the female body as an autonomous zone, and has produced a new performance work commissioned by Fuse Art Space; she will also be exhibiting a series of paintings. Based in Toronto, Rupi Kaur​​ found notoriety as the poet who critiqued Instagram earlier this year with her “period.” ​​series – these photographs feature in the show. Delicate and charged illustrations from Sue Williams ​draw the viewer into a world of provocative sexual politics. The exhibition also includes work by artists from Austria, Russia, UK and US including Anastasia Vepreva​, Evelin Stermitz, Faith Holland, Julia Kim Smith, Kate Durbin, ​Lacie Garnes, Sarah Faraday​ and Sheena Patel​.

“The internet poses significant problems in female representation, from pornography to the use of female form in advertising and notably the use of sexually violent language as a form of censorship and aggression towards female expression”, comments the exhibition’s curator Sarah Faraday​. “Exquisite Corpse presents an array of female artists using both online and material forms for creativity, empowerment, and subversion, whilst reclaiming control of the representation of their bodies”

The exhibition has been covered by The Independent and Dazed Digital

Gold + Beton
Cologne, Germany

Spotlight Interview 03 : Chris Alton

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Image credits Laura X Carlé


Interview
An interview with Chris Alton, our 2015 winner of the Graduate Studio Award. We have been very proud to have Chris with us, and as he enters the final quarter, we ask him to reflect about his time here.

Can you introduce yourself?

My artworks often draw upon multiple, seemingly un-associated, cultural phenomena. Whether deploying disco music against xenophobia or playing table tennis in competition with aggressive architecture, I seek to highlight unlikely parallels and produce bizarre situations. Through these, I aim to implement or imagine alternative ways of being in the world. This desire stems from my Quaker upbringing, which resonates throughout my practice.

You won this years graduate studio award, how has this impacted on your work? What do you get from working in a studio community?

Winning this award has given me the time and space to focus on and develop a number of projects that probably wouldn’t have happened otherwise. The opportunity to realise an interim-project and a concluding solo exhibition (in May 2016) is fantastic as space is so scarce in London – especially free space.

The Arthouse community is great, people are incredibly generous and have often offered their support on projects, from lending kit to helping to build a stage – complete with sparkling curtains, lighting and mirrorballs.

Are you a self-taught artist or have you been to art school? Has this helped shape the artist you have become?

It’s impossible to imagine the hypothetical artist that I would have become if I’d pursued a different route, but I don’t think that my time at art school was what shaped me. I’d like to think that my practice has been influenced more by my upbringing as a Quaker and by encounters with particular people and artworks.

Which exhibition have you visited which made the greatest impact on you and why?

There are two. I saw them at around the same time; during the summer of 2012, between my first and second years of University. The first was Yael Bartana’s And Europe Will Be Stunned, a trilogy of films following the rise of a fictitious political movement, called the Jewish Renaissance Movement in Poland. The second was Joy in People, Jeremy Deller’s solo show at The Hayward Gallery. These exhibitions triggered a pretty radical change in my own practice by showing me that art could actively engage with society and its current issues.

Who and/or what inspired you to become an artist?

My Mum.

Discuss a recent project, exhibition or event you have been involved in.

I had my first solo exhibition in September 2015 at the Edith-Russ-Haus in Oldenburg (GER). I won one of two emerging media artists awards with my ongoing project English Disco Lovers (EDL) (2012 – present), a satirical campaign that redeploys the utopian vision of disco music in opposition to the English Defence League. The exhibition featured photographs, posters, videos and other materials from the project, as well as a 4 meter-wide, glittery hashtag.

Do you see collaborative practice and working with others as an important part of your practice?

Absolutely, I often develop works through conversations and collaborations with a number of people. Recently I’ve been trying to develop a more inclusive crediting system for my projects, so that the people involved are acknowledged and thanked. It works in a similar way to the credits at the end of a film or TV programme.

How do you use the studio and what you do in there? Do you have studio rituals?

I always begin by making a coffee, the Arthouse is pretty cold in winter and something hot with a little caffeine gets me off to a good start. The wifi in my space is dreadful, so I often take a little wander down the corridor to answer my emails and buffer an album. Recently I’ve been listening to a lot of mid-’60s rock. Then I crack on with whatever I’m working on at that time, which tends to be pretty varied – I could be writing a script, editing photos, trying out wallpaintings or making watercolours of shells.

How does the studio become a part of your everyday life and work?

I actually find that it’s a place to get away from my everyday life. Instead of doing the washing up, scrolling through endless cat memes or alphabetising the book case, my studio is a place where I can put the distractions of home to one side and focus on my work.

What are you working on at the moment? Do you have any forthcoming exhibitions to promote?

I have my first solo exhibition in London opening on February 25th at xero, kline & coma. It’s a project that I’ve been working on for over 7 months now, in which a fictitious band is used as a vehicle to explore the exploitation of post-colonial countries as tax havens.

Will you be showing work at Open Studios? If so, what can the public expect to see?

My studio, slightly tidier (but not much tidier) than it normally is. I’ll probably empty the bin. I have lots of diagrams and mind maps on the walls, along with exhibition floorplans, scribbled ideas and simple doodles. There are a few finished pieces hanging around, but it’s mostly populated by work in progress and fresh ideas that may never get realised.

Four Studio Spaces Available – Application Deadline 30th December 2015

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Image: Studio G8 on the ground floor

Four Studios available from 1st February and 1st March 2016

Studio 1 – B3 – 6 month sublet (from 1 February – 31 July 2016)- £84.40 156sqft pcm

Studio 2 – G4 – Permanent (from 1 February 2016)- £73.00 135 sq ft pcm

Studio 3 – G8 – Permanent (from 1 March 2016)- £81.20 150 sq ft pcm

Studio 4 – 6 month Sublet in shared space (from 1 February 2016) £30 pcm 55.5sqft

We have four studio’s available, two are sublets for six months and the other two are permanent spaces which will be a rare opportunity to become a member of Lewisham Arthouse. Please note that the sublets will not be part of the Arthouse membership.

Studio 1 is a self contained space in the basement with french windows leading into the yard. Studio 2 and 3 are both partitioned studios on the ground floor with excellent natural light. Studio 3 is only available from 1 March. Studio 4 is a shared space on the ground floor suitable for an artist working in non-dusty materials someone looking for a desk/wall space would be ideal.

If you are interested in taking up any of these studios and becoming a member of the Arthouse please follow the application procedure below.

Application procedure for each studio (please indicate which studio/s are of interest):


– A statement (no more than 500 words) outlining your practice and areas of interest and an indication of how you wish to use this opportunity.

– A statement (no more than 350 words) highlighting what you could contribute and how the cooperative would work for you. For further information on how Studio Members are selected go to: www.lewishamarthouse.org.uk/making-art

– CV (no more than 2 sides of A4).

– Equal opportunities form – click to download here (word .doc).

– CD with up to ten images or for time-based work DVD (pieces or excerpts should be no longer than 5 minutes).

– Corresponding list of titles, media and dimensions should be included (please do not send originals).

– Two references.

POSTAL/ HAND DELIVERED APPLICATIONS ONLY.

Please post your applications to:

Allocations
Lewisham Arthouse
140 Lewisham Way
London SE14 6PD.

Please note that the sublet will not be part of the Arthouse membership.

Deadline to apply: Wednesday 30 December 2015, 6pm.
Shortlisted Applicants will be contacted for interview shortly after this date.

For further information contact: studios@lewishamarthouse.org.uk

Images of Studio 2 – G4 – Permanent (from 1 February 2016)- £73.00 135 sq ft pcm:
G4_2nd photo

G4

Images of Studio 1 – B3 – 6 month sublet (from 1 February – 31 July 2016)- £84.40 156sqft pcm:
B3

B3_2nd photo

Sound is Sound is Sound experimental music showcase featuring Studio member Charles Hayward.

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Saturday 24th October 2015

Sound is sound is sound showcases and celebrates the curious mix of forward motion and DIY attitudes that have flourished in the SE postcodes.

A highly motivated gathering of outsider sounds, exploring the logics of punk, free jazz, electronica, sound art and breakbeat, and melding them to suit the intentions of the musicians.

Featuring: Albert Newton, Aine O’Dwyer, Soft As Snow, The Balloons and DJ BPM

Afternoon workshops, sound installations and interventions in and around the Albany will precede the show…

Tickets £10

For full information and booking visit http://www.thealbany.org.uk

Sound is Sound is Sound 4Sound is Sound is Sound 2Sound is Sound is Sound 1Sound is Sound is Sound 3

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Sound is Sound is Sound. Image credits: Francesca Oldfield

Outdancing Formations: A two-person exhibition featuring Art House Graduate Studio Resident Chris Alton

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18th September – 4th October

Outdancing Formations is a dual exhibition by Chris Alton and Marta Popivoda that presents one activist and one research based project in the form of two large scale installations.

English Disco Lovers (EDL) by Chris Alton and Mass Ornament by Marta Popivoda investigate distant, yet related contexts of the organised body and the mass demonstration. Their equally radical approach reveals a critical reading of moving together as a political practice.

Chris Alton’s project, English Disco Lovers (EDL), which started in 2012, is a multifaceted protest movement that aims to reclaim the “EDL” acronym of the English Defence League, an extremist organisation commonly associated with racism, Islamophobia, and violence.

Mass Ornament by Marta Popivoda from (2013-2015) is an artistic take on the na- ture of spectatorship and the role of the public sphere, which starts with the mass performance of the late Yugoslav era — the Youth Day celebration in 1987 — and launches into an elaboration on “inattentional blindness” and the troubles of today’s public sphere. The work is done in collaboration with dramaturge and theorist Ana Vujanovic

Edith-Russ-Haus, Oldenburg, GER
Award for Emerging Media Artists of the Sparda Bank 2015
Opening Night: Thursday, 17th September 2015, 7pm
Open: 18th September – 4th October 2015

Julia McNeal

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Studio member Julia McNeal with artist group fourfour at the Affordable Art Fair

22-25 October 2015

Affordable Art Fair Battersea
110 galleries with 1,100 artist’s

Get ready to add a splash of art to your walls as the Affordable Art Fair returns to Battersea Park this October. New galleries will fly in from across the globe to exhibit alongside fair favourites, so whether your taste is traditional or trailblazing, classic or cutting-edge, you’re sure to find an artwork to suit your space.
Don your talent-spotting spectacles and check out the Recent Graduates’ Exhibition featuring 2015′s most exciting new names, and get involved with our action-packed, art-filled Education Programme!
Whether you’re an art aficionado or a fair first-timer, we hope you’ll explore, adore, collect and create at the Affordable Art Fair this autumn.

For tickets and booking visit www.affordableartfair.com

Laura X Carlé 8-14’s Studio: Sculpture

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Tate Modern, Clore Studio, Saturdays 19 September, 17 October and 21 November, 2015, 11.00–16.00

Artist and Sculptor Laura X Carlé will invite you to join her with a creation of growing large-scale structure at Tate Modern.
Using materials she uses in her studio, you can explore balance, composition, connectivity and more! Laura X Carlé works primarily with sculpture medium, drawing her themes from situations that she witnesses in the social space.

http://www.tate.org.uk/whats-on/tate-modern/courses-and-workshops/8-14s-studio-sculpture

Sara Willett: SPECTRE

Spectre

Elevating and transforming the humble domestic craft of crochet to obsessive and neurotic heights, Sara Willett has created tensions both literal and psychological as the fantastical forms fashioned from stretched shirring elastic colonise and consume the space.

This new installation created for Curious Projects evolved from her series of forest web sculptures, which she developed particularly during two residencies in China. Each piece is time-consumingly made by hand.

Sara Willett works in a variety of media, including, painting, photography, printmaking and large-scale installations. She studied at Camberwell College of Art for both her BA (Painting) and MA (Fine Art). She has exhibited widely in the UK and her work is held in collections in UK, USA, Australia, Europe, Japan and China.
Her work was recently selected for the Creekside Open and she was awarded a residency in China for the second time running.  Sara Willett lives and works in London.

Preview and artists’ talk: Sat 26 Sept, 1pm

At Curious Projects Eastbourne
26 Sept –27 Nov 2015

http://www.curious-projects.co.uk

Luke Burton: Singspiel

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Lewisham Arthouse presents Singspiel, a solo exhibition by Luke Burton that is the culmination of his year-long residency. 

Singspiel will present a rabble of sculptures and drawings, corralled together amidst a sonic landscape, which in turn acts as a stage infused with songs and enunciations. The sound work for the exhibition will develop Burton’s ongoing interest in voice- as an embodied form of direct expression through abstract sound; as used in communication, language and and poetics; as a musical instrument.

Traditionally, a singspiel was a German-language musical play that often had comic and folk elements. It was characterized by having a light tone and containing dialogue interspersed with popular songs, exemplified in Mozart’s The Magic Flute, and later developing into the dominant form of German Romantic opera. Taking the singspiel’s historical slide in form from folk, to classical, to Romantic modes as an exhibitionary thematic, the congregated works seek to productively collapse song and play in its broadest conceptions, with a lightness of touch befitting its form, but in all seriousness.

Luke Burton lives and works in London. Recent exhibitions include Linking, Linking Arms, National Gallery of Modern Art, Edinburgh; Filigree Endings, Bosse and Baum, London (both 2015); Tenderpixel’s Tenderflix, ICA, London; Athens Video Art Festival, Technopolis Musuem, Athens (both 2014); The Uneventful Day, Carroll/Fletcher, London, A Dense Glitter of Alternatives, Vitrine, London and Love/Architecture, Turner Contemporary, Margate (all 2013).

Ruth Beale: UP Project event

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Thursday 19th February 2015

The People’s Forest: Forest Make & Draw

Loughton Library

A free creative writing, drawing and making workshop for ages 5—11 FREE half term activity. Drop-in or pre-book to guarantee a spot by contacting Laura at UP Projects 0207 377 9677 / laura@upprojects.com

The People’s Forest Lifewalk

Thursday 26th February 2015, 10am — 12.30pm

Jacks Hill to Theydon Bois
Join Ruth for an informal chat and free refreshments as we walk through Epping Forest as part of EFDC’s Lifewalks. We are interested in your thoughts and opinions about the forest, what it means to you and how you use it.  
Meet at Jacks Hill car park (CM16 7DR), between Wakes Arms and Theydon Bois.
The walk will be 1.9miles, following grassy woodland paths. Please note that in places it maybe wet and muddy underfoot. Gradient 900m long very steep hill.

For more information, please visit: 
http://www.upprojects.com/portfolio/current/the-peoples-forest-/44